Strangers on a Train: A Queer Film Classic (Queer Film Classics)

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Watch it with a big box of Kleenex and a sense of injustice. Parting Glances : Writer and director Bill Sherwood would never make another film — he succumbed to an AIDS-related disease in — but his only cinematic work, Parting Glances, will keep his legacy alive for decades to come.

The well-acted and brilliantly written film centers on Robert and Michael, a couple preparing for a two-year separation as Michael heads to Africa for work. Over the course of 24 hours, Robert, Michael, and their friends and lovers all collide to hilarious and heart-wrenching effect. Making Love : The plot of this film — a supposedly straight, married L. Making Love was also well-acted, with stellar performances from Michael Ontkean as the latently gay protagonist, Kate Jackson as the confused wife, and especially Harry Hamlin as the sexy, hedonistic novelist who Ontkean's character falls for.

Hamlin, a huge star at the time, would later say the movie damaged his career but that he remains proud of it.

Three Queer Film Classics — Cineaste Magazine

Today, the film is considered by many to be an LGBT kitsch comedy classic, loved as much for its over-the-top characters as its unflinching look at life through a queer lens. Maurice : Based on E. Forster's long-suppressed novel of gay love, the film stars James Wilby, Rupert Graves, and Hugh Grant all at their most adorable.

Forster's novel, written in , was published in , after his death, as Forster knew there was controversy in giving the lovers a happy ending. The novel allowed a new openness in literature and biography. The film was the satisfying second shoe to drop.

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Gay people who had never seen dreamy romantic images of same-sex couples on the big screen swooned over the beautifully art-directed affair between the well-born Maurice and the laborer Scudder. They also swooned at Rupert Graves's callipygian assets. Gods and Monsters : One of our greatest gay actors, Sir Ian McKellen, plays James Whale, the gay movie director who brought Frankenstein and The Invisible Man to the screen in s Hollywood and demonstrated his versatility by helming the first film version of Show Boat.

While Whale is a real-life figure, Gods and Monsters is a fantasia on his last days, showing him largely forgotten by the film industry and drawn to a young, straight gardener, played by Brendan Fraser. McKellen's performance as this gifted, tragic man is extraordinary and heartbreaking. Beautiful Thing : The British coming-of-age film perfectly captured the sweetness of young gay love at a time when stereotypes and fear of the AIDS epidemic dominated LGBT representations in cinema. Grounded in the reality of a London suburb in , the love story of Jamie and Ste stands out for its honest and positive portrayal of gay teens who embrace their true nature and experience the beauty of first love.

Longtime Companion : One of the first AIDS-themed films aimed at a wide audience is set in New York City and traces the effect of the disease, beginning with its emergence in , on a group of mostly gay friends. Written by Craig Lucas and directed by Norman Rene, it features several moving moments, including a goose bump—inducing final scene, and excellent performances from a cast that includes Oscar nominee and Golden Globe winner Bruce Davison, along with Campbell Scott and Mary-Louise Parker. All About Eve : "Fasten your seat belts. It's going to be a bumpy night. There is also the intimation that scheming Eve Harrington Anne Baxter , who wants to supplant Margo as first lady of the American stage, may well be a lesbian, but the greatest pleasure in a film with many is the incomparable and perfectly cast George Sanders as the ultimate bitchy queen, that "venomous fishwife" of a drama critic, Addison DeWitt.

Sanders won an Oscar as Best Supporting Actor, Mankiewicz took home directing and screenplay honors, and the film was named Best Picture of the year. One of the most talked-about revelations from the documentary was that Gore Vidal had infused a gay subtext into the screeplay for the epic film Ben-Hur — a notion that had Vidal and star Charlton Heston in a notoriously public war of words. Based on the book by Vito Russo, the documentary enhanced the foundation of queer film theory and has become a staple in the curriculum of LGBT studies courses at universities around the world.

Weekend : This beautifully restrained film tells the story of two young gay British men who meet at a club, hook up, and fall in love over the course of an eventful weekend. One of the guys is introverted and half-closeted, while the other is brash, gregarious, and wears his sexuality on his sleeve; their worldviews complement each other and their chemistry is explosive. Through passionate conversations, many drug-fueled, they alternately challenge, confuse, and confound each other.

It's a grown-up, no-holds-barred exploration of modern love between men, and even the sex is honest. Directed by Andrew Haigh, who's moved on to executive-produce HBO's Looking, the film well deserved its status as a critical darling. My Beautiful Laundrette : Combining racism, class issues, and gay love in one sudsy mix sounds like a recipe for heavy-handed treacle, but Stephen Frears's My Beautiful Laundrette is as entertaining as it is culturally resonant.

The story of a Pakistani man and a street punk falling in love, challenging the conventions of Thatcher-era London, and classing up a laundromat in the way only gay men can do, My Beautiful Laundrette was immediately met with praise and its screenplay nominated for an Oscar. The film's punk was played by the brilliant Daniel Day-Lewis, while director Frears is still on a roll, recently Oscar-nominated for Philomena.

While the dramatized version offers a wonderful portrayal of the political trailblazer, there's nothing quite like getting to know the real man, as we do via archival footage in Robert Epstein's remarkable documentary, released just six years after Milk's assassination. There are also numerous interviews with people who knew him, demonstrating how many lives he touched and changed. Harvey Fierstein narrates this deserving Oscar winner. And while her friends the Lion, the Tin Man, and the Scarecrow may look like a motley crew, their quest for intelligence, courage, heart, and home is one that continues to resonate with and inspire the LGBT rights movement.

Auntie Mame : Rosalind Russell as everybody's favorite naughty aunt. Little orphaned Patrick Dennis comes to live with his drinky, amorous, wealthy Auntie Mame.


LGBT subjects are alluded to coyly — it was , after all — but the core of the story is about conservatives objecting to Auntie Mame's "lifestyle. Torch Song Trilogy : This superlative early gay film was adapted from the three-part play of the same name by Harvey Feinstein, and centers around his character, Arnold, a shamelessly swishy Jewish drag performer who navigates New York's gay scene, finds love with Matthew Broderick, at the height of his youthful fame , fights with his mom Anne Bancroft , and adopts a teen.

It's both hilarious and tragic; some moments are at once sad and sentimental and funny. Hedwig and the Angry Inch : In this multi-award-winning new cult classic, a trans front woman of an East German punk rock band tells her life story in song form, of falling in love with an American soldier, getting a botched gender surgery hence the "angry inch" , and of being left for another man. Jay Cox explored the damage done to families by the antigay attitudes within the Church of Jesus Christ of Latter-Day Saints with his ultimately sweet film Latter Days.

Sure, the film falls into some classic rom-com tropes — the closeted Mormon missionary moves to Los Angeles, where he encounters the sassy, out actor-turned-waiter ironically named Christian in a predictable laundry room meet-cute — but the performances turned in, especially by Steve Sandvoss as the conflicted missionary, are honest and powerful. Zach Trevor Wright , who has pushed his art-school dreams aside to take care of his selfish deadbeat sister, Jeanne Tina Holmes , and her 5-year-old son, Cody. They hang. They surf. They fall in love.

The Rocky Horror Picture Show : Nearly every slightly off-kilter high school student in America who rolls with the drama club crowd could say that this film was essential to their upbringing and their appreciation of sexual exploration, camp, and absurdity.

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This musical has so many things: a satire of ridiculous B-movies, fun with fishnets and heels, insane science fiction, artsy weirdness, and unabashed sexuality. And it's chock-full of very catchy, fun music. While Hoffman was physically much larger than Capote, he nailed the role of a lifetime, imbuing him with complicated pathos as a writer who obliterated boundaries for his story.

The Women : Norma Shearer, Joan Crawford, and Rosalind Russell head up an amazing cast of dozens of the greatest female actors of the late '30s. And not one man. Anita Loos added zip to Clare Booth Luce's stage script about the savage backstabbing and mercenary marriages of the Park Avenue set. The zingers race by so fast it demands multiple viewings to savor every barb.

Before gay people had films of their own to reflect them, films like this were iconic touchstones. If you heard a man quoting the film, you knew you were among friends.

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If you want to stay friends with us, don't mention the version. Small state, large legacy: The first state to ratify the US Constitution, Delaware also played a key role in desegregation.

Board of Education. As Kelly Oliver, W. She deftly moves between philosophy, literature, film, and popular culture to create novel interpretations of maternity, sex, and death. The film was based on the novel of the same name, yet the film and novel display sizable differences, some related to the Hollywood censors. Strawn, associate professor of Old Testament, is the editor.

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The book poses a new and exciting question: what is happiness according to the Bible? The contributions explore representations of happiness throughout the Bible and demonstrate the ways in which they impinge upon both religious and secular understandings of happiness. In the view of Stephen C. The effective outcome is a biblical theology of happiness. Not only that: it is a joy to read.

Word from Abramowitz, Alben W. Barkley Professor of Political Science, actually comes in the form of a question. His latest book is titled: The Polarized Public? Sarah McPhee, Winship Distinguished Research Professor, corrects and expands this story in her biography of the sculpture and its subject. Bernini's Beloved sets the bust and Piccolomini's own life—her childhood and noble name, her marriage, affair, fall from grace, and recovery—against the backdrop of Baroque Rome.

Strangers on a Train: A Queer Film Classic (Queer Film Classics) Strangers on a Train: A Queer Film Classic (Queer Film Classics)
Strangers on a Train: A Queer Film Classic (Queer Film Classics) Strangers on a Train: A Queer Film Classic (Queer Film Classics)
Strangers on a Train: A Queer Film Classic (Queer Film Classics) Strangers on a Train: A Queer Film Classic (Queer Film Classics)
Strangers on a Train: A Queer Film Classic (Queer Film Classics) Strangers on a Train: A Queer Film Classic (Queer Film Classics)
Strangers on a Train: A Queer Film Classic (Queer Film Classics) Strangers on a Train: A Queer Film Classic (Queer Film Classics)
Strangers on a Train: A Queer Film Classic (Queer Film Classics) Strangers on a Train: A Queer Film Classic (Queer Film Classics)
Strangers on a Train: A Queer Film Classic (Queer Film Classics) Strangers on a Train: A Queer Film Classic (Queer Film Classics)

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