There is a feeling of floating above the clouds. The way Murray fuses the more traditional Ambient styles and techniques alongside an electronica framework, allows the track to work well and keeps the genre of the track to being fluid. Orchestral sounding drones, soaring ambience, multiple layers of sound with a melodic core running through it. Murray excels in the pacing and phrasing of the piece to build this perpetual feeling that only subsides at the tracks completion.
The opening is like the initial movement backwards of Murray as a young child ready to have a tantrum while the remaining part of the track is the continued falling. When you think about how this was a regular occurence in his childhood, the constant feeling of falling would be familiar to himself.
The reason being that this is the physical remnant of what he did as a child and an old friend is someone you relate to that is familiar much like the habit of throwing yourself backwards. Musically the track is darker than those that have preceded it with it consisting predominantly of darker drones, orchestral in nature, but more ominous in sounds, paired alongside a shrill like drone.
Static sounds can be found low down in the mix, like a blurriness caused by the head trauma. Retro sounding keyboard progressions that loop around provide an interesting counterpoint to the drones.
The music swirls around like an ever-growing organic creature. The music is full of haunting sounds, drones that sound like a choir of ghosts, long linear orchestral drones that carry weight and give the track its feeling. While some of the other tracks are fuller in sound, there is a lot of space which adds a layer of intrigue and suspense to the track.
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A funereal pace, the music slowly unfurls and lets you soak up the mood of the piece. However, as a piece of music it stands individually as its tone is different. With the last three minutes of the track electronic tones make the presence known, before taking over the track and changing the feel of it totally. The tones are repetitive and follow a loosely based rhythm while also having a feeling of innocence about them. Possibly this is the soothing after trauma?
There is no rush, no kitchen sink approach.
Bloodsimple - Falling Backwards Lyrics
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Falling in Love in Reverse: Love that River Song
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